Saturday, December 26, 2015

P V Narasimha Rao : The Forgotten Prime Minister



Eleven years ago, a former Prime Minister breathed his last in New Delhi. He was 83. The veteran politician had been an integral part of the Indian National Congress since independence. A former Chief Minister and holder of several Cabinet portfolios, he served as India’s 9th Prime Minister from 1991 to 1996, overseeing a crucial period of economic transformation and social upheaval. But Congress leaders directed the family to cremate him in Hyderabad – not in Delhi where most Prime Ministers and public servants had been cremated. His body was not even allowed inside the AICC building in the capital. It was the final humiliation of Pamulaparti Venkata Narasimha Rao.
PV Narasimha Rao was about to retire from national politics in 1991 when Rajiv Gandhi was assassinated. Following Mr Gandhi’s death, Rao led a minority Government at the Centre as Prime Minister of one of the most crucial administrations in Indian history.
Rao’s tenure as Prime Minister would witness several historic events including the 1991 economic reforms, insurgency in Kashmir, the demolition of the Babri mosque and the 1993 Latur earthquake. Being the first Prime Minister from non-Hindi-speaking South India, historians have noted the uniqueness of Rao’s Prime Ministership. He managed to contain opposition from both within his party and outside even as he led a minority Government which struggled to administer an India reeling under economic and social crises.

The significance of his tenure can be broadly classified into four categories:
• 1991 economic reforms: the most important event in modern India’s economic history. With the help of Finance Minister Manmohan Singh, PM Rao dismantled India’s License Raj, transitioning India from a socialist-inspired economy to a market-oriented economy. He reduced import tariffs and taxes, expanded private enterprise and attracted foreign investment. By doing so, Rao managed to save an almost-bankrupt India from economic collapse. The reforms that began in 1991 are still ongoing, as Indian enterprises continue to expand and GDP per capita continues to increase. Critics have blamed India’s rising inequality on the reforms, but it is established that the advent of an entrepreneurial India touted as a future superpower would not have been possible without the 1991 economic reforms.
 
• Babri Masjid demolition: The Ram Janmabhoomi debate climaxed on 6 December 1992 when religious activists tore down the disputed 16th-century Babri mosque in Ayodhya, claiming it to be the birthplace of Lord Rama. The following months saw the most brutal Hindu-Muslim riots of post-Partition India, killing at least 2000 and displacing many more. Many criticized the Rao administration for failing to quell the riots.
 
• Foreign policy: Rao launched the Look East policy which was subsequently championed by future Governments including the current Modi administration. He revitalized India’s diplomatic relations with Europe, China and the US. He advocated Indian intelligence to bring Pakistan’s sponsorship of terrorism to the attention of the international community. His diplomatic coups with Israel and Iran are epitomes of his foreign policy credentials.
 
• National security: The Rao administration introduced India’s first anti-terrorist legislation in the Terrorist and Disruptive Activities (Prevention) Act (TADA). In a Punjab reeling under a separatist movement which had already claimed 50,000 lives, Rao held elections even against popular misgivings. The State elections of February 2002 were followed by a collapse of militancy in Punjab. He followed a similar strategy in J&K, but to partial success. Kashmiri insurgency was controlled, but the State continued to be a security nightmare. The administration’s reaction to the 1993 Bombay blasts was lauded for its efficiency and immediacy. The Rao Government also set a trend for increased military spending to combat terrorism and militancy.
In spite of Rao’s eventful administration, he has largely been ignored by his party. A victim of intra-party politics, Rao, political columnists argue, was always an ‘outsider’ for the Gandhi family-obsessed Congress. A prime example of this would be 28 December 2009 when Sonia Gandhi delivered a speech in Delhi commemorating 125 years since the party’s formation. Mrs Gandhi praised the contributions of all Congress Prime Ministers except for Rao. She painted Rajiv Gandhi as the actual architect of the economic reforms, publicly undermining Rao’s legacy.
“Despite his caricature as being indecisive, [Narasimha Rao] was one of the most decisive leaders this nation has seen. On all crucial issues, he took decisions that have continued to shape India’s rise over the last two decades. Manmohan Singh may be touted as the father of Indian economic reforms; but as Singh has himself acknowledged, it was Rao who fathered the process. Singh was an economic technocrat with little understanding of political constraints. It was Rao who shielded Singh from the left wing of his own party, a flank that had left no stone unturned in opposing the economic liberalization programme. Rao made economic reforms politically tenable at a time when his own party was out to scuttle his most ambitious undertaking. How ironical, then, that today the same Congress-wallahs try to take credit for India’s economic success without acknowledging Rao’s role.”
– Harsh V Pant.
To supporters, Rao was the engineer of the economic reforms which transformed India from an almost-bankrupt State to one of the world’s largest economies. To critics, he was the leader who failed to provide social security during the Ayodhya riots. To historians, he was a man whose tenure as Prime Minister was highly eventful and important for modern India – one that should not be overlooked. It is, therefore, a sad thing that his name has been more or less disregarded in India’s history books, and his stature ignored in the annals of Indian politics.

Monday, January 28, 2013

SiriVennela





He's the one of the great lyricists that Indian cinema has ever produced. He's the man behind thousands of wonderful songs that exist. There's no award that exists to accolade him. He is truly a brilliant song writer, every song of his is like a masterpiece. I now take an opportunity to share some of his work to the people who cherish him and treat him like a god and also to the people who go on search about this great human being. I can go day and night talking about him but I want to share his work and relish the future generations that we should be proud proud of a lyricist the India has produced.


The following website has a good collection of his songs. Please visit this website for lyrics and explanation of the lyrics.


http://www.sirivennela-bhavalahari.org/

Sunday, January 27, 2013

HDR - High Res images for phone,Tablet,Phablet, PC, Mac

The link to flickr has his complete collection which are HDRs and its a wonderful collection









Ghazal King

My definition of ghazal, a nice story knitted in 5-6 min song with sensible and close to reality and excellent compliments that women can never get and my definition is taught  by none other than Ghazal King -- Jagjit Singh!!! He's a legend




Here are some marvels:

Hosh walon ko khabar kya cheez jai -- From the movie Sarfarosh



Tumko Dekha Tho Ye kayal Aaya



Kiska Chehra ab mein dekho



Kal Chaudvi ke raat thi

Tum itna Jo musku rahe ho



Mere jainse ban jaoge


Hooton se chuulo tum





Nenjukkule

Nightingale



She is awesome and her voice leaves you with some hope. She is ShaktiShree Gopalan and my words really don't explain a lot about her but her voice does.

Here it goes guys





Some of her previous work.



Transalation of Nenjukulle song from Kadal. Excellent Composition by Rehman.



Singer: Shakthisree Gopalan 
Composer: A.R.Rahman 
Lyrics: Vairamuthu  

Nenjukulley Omma Mudunjirukaen
Inga Ethisayil En Pozhapu Vidinjirukum
Vella Paarva Veesiviteer Munadi
Intha Thangatha Manasu Thanni Patta Kanadi
Valla Maniyaram Valaruga Gediyaram

Aana Puliyellam Adukkum Arigaram
Neer Pona Pinnum Niyal Mattum Pogalayae Pogalayae
Nenju Kuzhiyilae Vanthu Vizhunthiruchu
Appa Nimunthavathan Apuramma Guniyalayae Guniyalayae
Kodakambi Pola Maram Kuthi Nikkuthae

In my heart…
I’ve tied you…
I don’t know in which direction my day rose?
You threw an innocent look at me!
My mind, which couldn’t resist that, is like a wet mirror…
A Colorful dollar chain, A watch on the right hand…
And an authority that controls even Elephants and Tigers!

Even after you had left
Your shadow hasn’t gone
It had fallen in my heart
I rose up seeing this

And after, I never went down
My mind is straight like a metallic rib in an umbrella…

Nenjukulley Omma Mudunjirukaen
Nenjukulley Omma Mudunjirukaen
Inga Ethisayil Aen Pozhapu Vidinjirukum

Patchi Urangirichu Paal Thayiraa Thoongirichu
Ichi Marathu Maela Elai Kooda Thoongiruchu
Kaasa Noigarigalum Kanurangum Vaelayila
Aasa Noi Vanthu Maga Ara Nimisam Thoongalayae

In my heart…
I’ve tied you…
I don’t know in which direction my day rose?

Birds have slept already
Milk has turned into curd
Even the leaf in the tree has slept

When people with Cancer could sleep
I am infected with this desire and
I Couldn’t sleep even for half-a-minute
(“Kaasa Noi” means Cancer and “Aasa Noi” means Infected by Desire; the words rhyme well in Tamil)

Nenjukulley Omma Mudunjirukaen
Nenjukulley Omma Mudunjirukaen
Inga Èthisayil Aen Pøzhapu Vidinjirukum

Oh Oru Vaai Irangalayae Ulnakku Nenaiyalayae
Aezhu Èttu Naala Èchil Køzhambalayae
Aezha Ilanchirukki Aethum Šølla Mudiyalayae
Rubber Valai Vikkaellam Šathamida Vaiyillayae

In my heart…
I’ve tied you…
I don’t know in which direction my day rose?

I couldn’t eat…
My tongue is dry…
It’s been 7 to 8 days and
I haven’t even swallowed my saliva! 

I am a poor little girl
who couldn’t express anything
Like a rubber bangle
Which couldn’t make any sound!

Vishwaroopam


My Take on Vishwaroopam(Telugu)



The Movie has to be appreciated for its efforts and mind boggling CG and Effects.


                Here are some making videos

                                                    Thupaki Thone Jeevitham:



                                                  

       

Some aspects of the movie are excellent while others are plagiarized like the background score from The Dark Knight Rises.The voice from Gautami for the female lead is irritating at times.  

The movie is slow at times but the Editing team has to be appreciated for not making boring with some excellent FX's that make you stick to the seats.The music is really good and visuals are top notch. Good story telling and good direction from Kaml himself

Kamala Hassan is definitely the best actors in the field of cinema

This movie leaves you with an impact! and i am awaiting for the Part II.